Kevin from Auburn comes pretty close based on what Paul Simon says in interviews. This may be one of the ways the person retreats when he faces his mundane concerns: by ducking back down the alley way to alcohol. Bob C from New JerseyThe song words are actually bat faced girl, which means the face that one makes when extremely intoxicated.I have watched this every morning for a week. Jon Christenson from Coarsegold CaliforniaEvery time I watch this interaction between Paul and Chevy, I marvel at the joyful facial expressions by Chevy as he lip syncs the lyrics.Bridge Over Troubled Water.") Chevy Chase is a great Garfunkel. Tim J from Charlotte NcI just realized that the video is a parody of Simon and Garfunkel, where Simon does all the work, and Garfunkel gets the attention and accolades (i.e.Skaizun from Nyc"Roly-poly, little, bat-faced, girl" may refer to someone who is very jolly, or, given the lyric, "He ducked back down the alley with some roly-poly, little, bat-faced, girl," she may be a prostitute.Dan from MdIt means fat (rollie pollie) and ugly (bat face) chick.So now you have this guy who's no longer thinking about the mundane thoughts, about whether he's getting too fat, whether he needs a photo opportunity, or whether he's afraid of the dogs in the moonlight and the graveyard." Because there's been a structure, and those abstract images, they will come down and fall into one of the slots that the mind has already made up about the structure of the song. And by the time you get to the third verse, and people have been into the song long enough, now you can start to throw abstract images. The second verse is really a recapitulation: A man walks down the street, he says. You don't know what I'm talking about but neither do I. What is he talking about, you can call me Betty, and Betty, you can call me Al? You don't know what I'm talking about. Then it has a chorus that you can't understand. In a 1990 interview with SongTalk magazine, Simon explained: "'You Can Call Me Al' starts off very easily with sort of a joke: 'Why am I soft in the middle when the rest of my life is so hard?' Very easy words. This song is about a self-obsessed person becoming aware of his surroundings. In the documentary Under African Skies, Simon explained: "'You Can Call Me Al' is really the story of somebody like me, who goes to Africa with no idea and ends up having an extraordinary spiritual experience." Because of the boycott, music from the area was secluded, and when Simon released Graceland, he brought the music of the country to the world. Simon defied this boycott and went anyway, taking a lot of heat for his actions - even though his intentions were good, many black leaders in South Africa felt that any violation of the boycott hindered their cause. At the time, South Africa was divided by Apartheid, a policy that separated blacks and whites, and a cultural boycott was in place (check out the Songfacts on " Sun City"). The lyrics contain some intricate wordplay that Simon wrote very carefully around the track, and the character in the song symbolic of his South Africa experience. These recordings were edited together in New York by Simon's producer Roy Halee - a monumental task in the age of analog recording, since in South Africa, they rolled a lot of tape that Halee had to sort out with a series of splices. He recorded with many different musicians while he was there, and he loved the work of the guys from a local group called Stimela, whose guitarist Ray Phiri came up with the riff for this song during one of their jam sessions. Simon started recorded this song in South Africa, where he worked with local musicians and experimented with their sounds.
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